Sailing Past Lachenmann: Why I'm Ecstatic

I may slouch along no longer.  The Ecstatic Music Festival, several concerts of which I had the good fortune to attend, has ended, and Helmut Lachenmann, who provided the frame for my “Slouching” series, recently received the BBVA Foundation Frontiers of Knowledge Award in Contemporary Music, with 400,000 Euros in prize money attached:

The jury singled out the importance of his creative works, which “based on an intimate knowledge of the musical past, have enlarged the world of sounds during the last fifty years in a way unmatched by any other contemporary composer."

Sailing Alone From Song to Song

I was going wherever I happened to go,
giving myself over to whatever I met,
-Su Tung-P'o

How easy he has made it for me to enter here,
to sit down in a corner;
cross my legs like his, and listen.
-Billy Collins

One evening, in the manner of Su Tung-P'o, I followed the path of composer Missy Mazzoli to New Amsterdam Records, where a new CD of her music was on offer.  From there I spotted a trio called janus, with a first CD just out.  The trio intrigued me because of its instrumentation:  flute, viola, and harp.